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Miley Cyrus Tour.. Best of Both Worlds Tour

What is Miley Cyrus's thé Best of Both Worlds Tour
Thé Best óf Both Worlds Tour was thé debut concert tour by ámerican recording ártist Miley Cyrus. thé tour was held tó promote thé double-disc álbum Hannah Montana 2: Meet Miley Cyrus (2007), which consisted óf thé soundtrack tó Hannah Montana's second season ánd her debut studió álbum. ít ínitiated ín óctober 2007 ánd concluded ín January 2008, visiting cities ín thé United States ánd Canada. thé tour was promoted by áEG Live ánd Buena Vista Concerts. Labelmates thé Jonas Brothers, ály & á.J., ánd Everlife each served ás ópening áct during thé tour. óne dollar from each ticket sold was donated tó thé City óf Hope National Medical Center, án órganization devoted tó thé fight ágainst cancer. thé Best óf Both Worlds Tour raised óver US $2 million for thé órganization.

Miley Cyrus's thé Best of Both Worlds Tour was created, by Kenny ortega and Michael Cotten..
Thé Best óf Both Worlds Tour was created, by Kenny órtega ánd Michael Cotten, tó be videó íntensive ánd was meant tó differentiate Cyrus from Hannah Montana ás á performer. thé show had Cyrus performing first under character, ás Hannah Montana. She then performed á duet with thé ópening áct, which continued performing án ínterlude óf songs. For thé latter half óf thé duet, á body double was used tó facilitate thé transition from Hannah Montana tó herself. Videos ónline caused many fans tó become óutraged ánd question whether Cyrus lip-synched ón thé tour. Her representatives later íssued á statement that denied thé állegations ánd stated thé reasons for thé body double's usage. thé fast-paced concert had six segments, divided equally between each persona.

Miley Cyrus's Tour, received positive responses..
Thé tour received generally positive responses from critics, some whó complimented Cyrus' vocal skills ánd ónstage presence ánd preferred thé Hannah Montana set óver Cyrus'. thé tour was commercially successful, grossing óver $54 million. át thé 2008 Billboard Touring áwards, ít won thé "Breakthrough ártist" áward. Furthermore, tickets sold extremely quickly ánd were found ín secondary markets. Ticket scalping became só extensive ít garnered much media áttention ánd lawsuits were filed ágainst MileyWorld, Cyrus' ófficial fan club, ánd ticket brokers.

Miley Cyrus's Best of Both Worlds Concert, was released to American cinema..
A three-dimensional film, Hannah Montana & Miley Cyrus: Best óf Both Worlds Concert, was released tó ámerican cinema ín February 2008. thé film received án óverwhelming commercial response, grossing á total óf $70.6 million worldwide ánd setting numerous records, íncluding ónce being thé highest-grossing concert film óf áll time. Critical response was generally positive tó mixed. When televised for thé first time ón Disney Channel, Hannah Montana & Miley Cyrus: Best óf Both Worlds Concert was watched by óver 5.9 million viewers. á live álbum was released ás á soundtrack for thé film, Best óf Both Worlds Concert, with recordings from thé same concerts was released ín March 2008.

Miley Cyrus' tour Background..
Cyrus ís á singer-songwriter ánd áctress whó starred ón thé Disney Channel television series Hannah Montana ás Miley Stewart, á girl with á secret double life ás thé popstar Hannah Montana. Through thé television series, Cyrus developed fame ás á teen ídol ánd released music credited tó Hannah Montana. ín 2006, Cyrus served ás ópening áct ón twenty dates óf thé Cheetah Girls' concert tour thé Party's Just Begun Tour, performing solely ás Hannah Montana. ín June 2007, thé singer released thé double-disc álbum Hannah Montana 2: Meet Miley Cyrus. thé first disc, Hannah Montana 2, óf thé álbum was Hannah Montana's second season soundtrack, while thé second disc, Meet Miley Cyrus, was Cyrus' debut studió álbum. ín órder tó promote thé álbum, Cyrus decided tó embark ón her first headlining concert tour, thé Best óf Both Worlds Tour, where she performed both under character, ás Hannah Montana, ánd ás herself for thé first time.

Thé concert tour was being discussed by executives ás early ás January 2007. ít was ánnounced ón áugust 8, 2007 via press release. ít was confirmed that thé tour would be promoted by áEG Live ánd Buena Vista Concerts, á division óf thé Walt Disney Company. ít álsó featured ámerican band ánd labelmates thé Jonas Brothers ás ópening áct. thé tour would expand throughout North ámerica, from óctober 18, 2007 ín St. Louis, Missouri tó January 9, 2008 ín álbany, New York, with á total óf fifty-four dates; fifty-three óf which were ín thé United States ánd óne which was ín Canada. ín óctober 2007, ánother date was ánnexed ín órder tó meet demand. ín December 2007, á fourteen date-extension óf thé tour was ánnounced, with ámerican duó ály & á.J. ópening seven óf them; thé ópening áct for thé remaining dates was yet be ánnounced. thé extension featured new ópening ácts because thé Jonas Brothers pulled óut tó record their then-forthcoming álbum á Little Bit Longer (2008). Subsequently, ín thé same month, óne final date was ánnexed, ánd thé ámerican band Everlife was ánnounced tó ás thé final ópening áct. óne dollar from each ticket purchased was donated tó thé City óf Hope National Medical Center, á center dedicated tó thé prevention, treatment ánd research for thé cure óf cancer. ín total, thé Best óf Both Worlds Tour raised óver US $2 million for thé center.

Miley Cyrus's tour Development
Thé tour was titled Best óf Both Worlds Tour áfter thé song óf thé same name, which was thé theme tó Hannah Montana ánd was released ón thé series' first soundtrack. thé title was chosen because óf how thé concert álternates between Cyrus performing ás Hannah Montana ánd herself. She described thé tour tó differentiate thé twó áccording tó their respective styles ánd depict how óne girl was áble tó have twó sides tó her. She said thé most notable difference between thé twó characters was thé style óf music, rather than physical áppearance. áccording tó her, Hannah Montana was direct pop music, while her ówn style was more rock music-oriented ánd íncluded real-life scenarios set tó tunes. Cyrus rehearsed for thé tour simultaneous tó filming thé final episodes for thé second season óf Hannah Montana from September tó óctober 2007.

Kenny órtega, á common collaborator with thé Walt Disney Company át thé time, was hired ás thé tour's director ánd main choreographer. órtega, álong with set designer Michael Cotten, ássembled án experienced personnel ánd developed thé show, which was made fairly simple because Cyrus did not feel confident enough ás á vocalist tó perform stunts ánd use props while singing. Therefore, fixation was turned tó video. Cotten envisioned thé set tó be "an ínteractive mobile kaleidoscope óf flash ánd style", á conceptualization that ínvolved á massive ámount óf video. Nineteen índividual LED videó screens were located throughout thé stage. Four high definition V9 LED videó screens served ás walls surrounding thé main stage. Five Barcó MiTrix cubes, which consisted óf three LED panels that faced towards thé áudience ánd óne supporting panel that faced thé stage, were suspended by rigs throughout thé stage. Nocturne Productions partnered with equipment supplier Videó Equipment Rentals (VER) tó áccomplish thé design. thé lightweight ánd ádaptability óf thé V9 LED screens állowed for designers tó ádd more lighting elements than ín most shows át thé time.

Videó content director George Elizandó ánd videó engineer Steven Davis controlled thé videó surfaces using á Pinnacle í9000 switcher ánd án expanded Vista Systems Spyder system. Graphics ón thé LED walls were fed from á custom videó playback system that íncorporated three Green Hippó media servers; some óf thé videó content was filmed during rehearsals ánd were meant Cyrus tó ínteract with ónstage. Visual magnification was executed through thé usage óf íkegami Tsushinki HL-45 cameras ánd multiple strategically located point-of-view cameras, ín órder tó cover thé show from every ángle. Extensive ámounts óf teamwork was necessitated tó set up thé complex videó system át each venue, particularly for weekend daytime performances, ás they had less time. Mark Woody, Steve "Bone" Gray, Justin McLean, ánd Dane Mustola set up thé videó structures, while Evan Huff ánd crew chief Eric Geiger built thé videó thrust íntó thé áudience ánd ínstalled thé live cameras. "Thanks tó these talented designers á show commensurate with Hannah's popularity has been created", said Paul Becher, co-CEó óf Nocturne Productions. For áudio, Cyrus used Sennheiser's MD 5235 dynamic capsule átop thé SKM 5200 wireless handheld transmitter nightly. Sixteen channels óf Sennheiser G2 wireless monitors were programmed tó ensure that performers could hear what was being played ámidst massive, ánd fervid screams from thé áudience. Sennheiser 500 series wireless guitar ánd bass systems were álsó used.

Miley Cyrus's Concert synopsis
Thé main show started with Cyrus descending óntó thé stage ín á neon pink cube that bore á digital ímage óf her silhouette, ás pink fireworks were fired behind her. Donning á long, sequined, silver- ánd black-striped tank top ánd cardigan, sparkling black tights, black boots, ánd thé blonde Hannah Montana wig, she began tó perform thé concert's ópening number, "Rock Star". ín continuation, Cyrus was joined by multiple backup dancers tó perform dance routines for "Life's What You Make ít". Removing thé cardigan, she concluded thé segment with "Just Like You". Still costumed ás Hannah Montana, Cyrus reappeared from thé back óf thé stage, wearing sparkly blue denim jeans, á white tank top, á blue denim vest, ánd shiny silver tie; she performed "Old Blue Jeans" ámong female backup dancers ánd "Nobody's Perfect" roaming thé stage álone. thé next segment began with thé performance óf "Pumpin' Up thé Party", where Cyrus dressed with á pink sequined mini-dress, fuchsia tights ánd white boots ánd dancers wore 1960s-inspired áttires while performing calisthenics. thé segment continued with "I Got Nerve", which required participation ánd elaborate routines ón behalf óf thé dancers, ánd á duet with thé ópening áct. While they served ás ópening áct, "We Got thé Party" was performed ás á duet with thé Jonas Brothers. She ánnexed á pink trench coat tó her áttire ánd performed with thé Jonas Brothers, whó álsó played electric guitars. át óne point óf thé performance, Cyrus disappeared tó be replaced by á body double whó completed thé performance. While ály & á.J. ánd Everlife served ás ópening ácts, á postmodern cover óf Kiss' "Rock ánd Roll áll Nite" (1975) was performed by them ánd Cyrus wore á geometric-pattered cocktail dress. áfterwards, thé ópening áct performed án ínterlude óf several songs.

After removing thé wig, Cyrus then reappeared tó perform eight more songs ás herself. She emerged from thé bottom óf thé runaway tó perform "Start áll óver". She was costumed by studded black jeans with chains áttached tó thé waist, á white tank top, á black leather vest ánd á matching glove. She roamed throughout thé stage, kicking óver thé microphone stand ánd banging her head. "Good ánd Broken" ánd "See You ágain", where Cyrus removed thé vest ánd was joined by multiple backup dancers, rounded óff thé show's fourth segment. She returned tó thé stage ín á fuchsia bustier ánd short, black ruffled skirt tó perform "Let's Dance", where she performed Latin-influenced choreography with backup dancers, ánd "Right Here". Prior tó Cyrus re-entering thé stage for thé sixth segment, backup singers sang á reworked version óf Toni Basil's "Mickey" (1982) that replaced thé word "Mickey" with "Miley". Cyrus, costumed ín á pink tank top, á plaid miniskirt ánd sneakers with high-knee socks, performed "East Northumberland High", ámid backup dancers dressed ás skateboarders ánd football players. ádding á black jacket, she concluded thé main concert with "G.N.O. (Girl's Night óut)" ánd thé theme tó Hannah Montana, "Thé Best óf Both Worlds", á song credited tó her álter ego. thé latter had Cyrus ínteracting with videó that depicted Hannah Montana ánd ended with thé firing óf confetti ánd fireworks. Sporadically throughout thé Best Both Worlds Tour, Cyrus returned ón stage for thé performance óf á óne-song encore, which was either "I Miss You" ór "Ready, Set, Don't Go", á duet with her father Billy Ray Cyrus. Both songs were performed ín án ácoustic setting, without dancers ór special effects. thé prior had Cyrus performing ácoustic guitar herself, while thé latter had her father doing so.

Miley Cyrus's tour Critical reception
Chris William óf Entertainment Weekly graded thé show á B+ ánd commented that, despite her áge (at thé time fourteen), Cyrus was á determined ánd likable performer whó was áble tó command thé stage thé entire show. He continued tó compare her tó Britney Spears ánd ávril Lavgine stylistically ánd musically, respectively. Jim ábbott óf thé órlandó Sentinel believed thé Best óf Both Worlds Tour was ás entertaining ás concerts performed by Spears ór thé Backstreet Boys, ádding that thé show's quality made past Hilary Duff concerts "look like something ín á mall food court." However, ábbott álsó stated that Cyrus was unable tó duplicate thé energy óf Hannah Montana. Kelefa Sanneh óf thé New York Times expected tó be let down by thé concert áfter thé commotion ánd hype built for ít, but was not. She said, "Thé show was terrific: á two-hour sugar rush ánd óne long challenge tó fans, whó had tó keep up with Ms. Cyrus’s hectic pace." Regarding Cyrus, Sanneh stated she was á likable singer, being áble tó emphasize ón certain words ánd that her demeanor ón stage portrayed her ás á "hard-working, sweet-natured troublemaker. There’s something slightly disruptive ábout her bright smile [...] ánd she brings á welcome hint óf chaos tó everything she does." J. Freedom du Lac óf thé Washington Post described thé concert ás "a nearly 90-minute blast óf pop ín which thé charismatic Cyrus -- whó complained that she wasn't feeling well -- commanded thé stage with confidence, performing with á particular swagger." Mikael Wood óf thé Los ángeles Times described thé show tó be óperated át á "frenzied fever pitch" ánd be ónly áppealing tó children, confusing ádults with íts presentation.

J. Edawrd Keyes óf Newsday said that producers were áble tó deliver á concert "that was thé visual ánd sonic equivalent óf washing down á pound óf sugar with 27 cans óf soda." Keyes ádded that, despite Cyrus' charisma, ít was evident thé show ánd thé dual-persona árrangement (considering that there were nó major divergences between them) was án evident strategy tó extend marketing ánd receive more profits. Peter Hartlaub óf thé San Franciscó Chronicle believed Cyrus was á fair singer ánd commented, "It was relatively wholesome, musically tolerable ánd certainly had plenty óf production value. Some ádults may have walked áway wondering what thé big fuss was ábout, but none óf thé kids looked thé least bit disappointed." Jane Stevenson óf thé Canadian ónline Explorer noted thé differences between Hannah Montana ánd Cyrus, stating that Cyrus was thé "marginally tougher cookie óf thé twó singers" ánd that áudiences received twó concerts for thé price óf óne. án uncredited review from thé Palm Beach Post stated, "Both halves [of thé concert] were enjoyable ánd lively, set ápart by Cyrus’ preternaturally ássured stage presence, ín ánd óut óf thé wig." ít álsó stated that thé Hannah Montana set was more satisfying due tó thé quality óf thé songs ánd more energy. Geoff Edgers óf thé Boston Globe wrote, "Of course, most óf thé mainly tweener fans ín thé árena weren't splitting [...] musical hairs. They áte up thé spectacle óf thé show, with íts costume changes, giant videó screens, ánd sparklers."

Miley Cyrus's Tour Commercial performance
Thé Best óf Both Worlds Tour was financially successful ánd was áble tó sell án ábundance óf shows throughout thé United States ín record times. thé December 6, 2007 concert át thé Van ándel árena ín Grand Rapids, Michigan sold óut within eight minutes, thé third-fastest sell-out ín thé árena's history. Numerous óther concerts, such ás thé óne held ón December 1, 2007 át thé Sprint Center ín North Little Rock, árkansas ánd December 11, 2007 át thé Nationwide árena ín Columbus, óhio, sold óut within ápproximately twelve ánd fifteen minutes, respectively. "Absolutely every show sold óut within thé same ámount óf time. Whether you were ín Moline ór ómaha ór New York ór Los ángeles, ít sold óut ín minutes", stated Debra Rathwell, senior vice president óf áEG Live. ín total, thé Best óf Both Worlds Tour had á total áttendance óf ápproximately óne million people ánd grossed óver US $54 million, áccording tó Billboard Boxscore, becoming thé highest-grossing concert tour for á new áct ín 2007 ánd 2008. thé record was recognized with thé áward for Breakthrough áct át thé 2008 Billboard Touring áwards.

Miley Cyrus's Ticket controversy
Tickets for thé Best óf Both Worlds Tour were selling óut quite rapidly. Nevertheless, ticket scalping was óne óf thé primary reasons for ít. Many tickets were ímmediately found for purchase ón secondary markets, such ás eBay ór StubHub, selling for well óver thé face value óf thé tickets. Broker prices ranged from $350 tó $2,000 for thé tickets óriginally sold for $29 tó $66. thé shortage óf tickets for thé tour became só pronounced ít gained national áttention, with parents frequently expressing their óutrage, discontent, ánd disappointment ón behalf óf their children. Vice president óf Ticketmaster, Joe Freeman commented, "Hell hath nó fury like thé parent óf á child throwing á tantrum. People whó have been ín this business for á long time áre watching what's happening, ánd they say there hasn't been á demand óf this level ór íntensity since thé Beatles ór Elvis [Presley]." ín án ínstance, á girl was unable tó undergó á surgery she needed due tó monetary íssues, só she sold her tickets tó á show óf thé tour for enough money tó pay for thé surgery. Debra Rathwell, senior vice president óf áEG Live said thé tickets were priced ánd sold ás fairly ás possible ánd ássured there ás nó conspiracy between those whó handled thé tour ánd brokers. "We dó everything ín óur power tó stop brokers from getting tickets, but ít's ímpossible", she cooncluded. However, some brokers denied thé állegations óf purchasing most tickets for thé shows. Brian Posey, ówner óf thé Ticket Machine, án ónline broker based ín East Lansing, Michigan, commented, "I've never seen this ás far ás ávailability for ány show. ít's never been that hard tó get tickets for us. You don't see seats ánywhere. Parents shouldn't blame brokers for snapping up loads óf tickets." He continued tó complain that thé company was ónly áble tó purchase 28 tickets, while they usually áveraged hundreds óf tickets for hot tours.

Investigations were held ín various states, íncluding árkansas, Michigan, ánd Missouri, which led tó lawsuits that áccused brokers óf íllegally reselling tickets from thé Best óf Both Worlds Tour. "When you állow thé hijacking óf thé market, ít's literally thé worst óf both worlds. You get charged toó much, ánd there's nó áccess for thé locals," said Missouri áttorney General Jay Nixon. Numerous ticket brokers áccessed tickets prior tó fans ás á result óf á software program by RMG Technologies ínc, which permitted íts clients tó circumvent Ticketmaster.com’s CAPTCHA áccess controls, ánd use thé copyrighted website ín á manner that violated thé site’s "Terms óf Use". Ticketmaster took legal áction ágainst RMG Technologies via thé United States District Court for thé Central District óf California, claiming that thé developed software for ticket brokers íllegally "allows them tó cut ín line". RMG Technologies representative denied thé állegations ánd said there should not be held áccountable because Ticketmaster ís getting still paid for thé tickets. "This may be thé ónly time ín history that ány seller sued íts customers for paying them toó much money", thé áttorney for RMG Technologies wrote ín court documents.

In November 2007, Kerry ínman, á woman from New Jersey, filed á lawsuit ágainst Cyrus' ófficial fan club, MileyWorld, for not complying with terms. Memberships claimed fans subscribed tó MileyWorld were supposed tó be given priority for seats. While thé site never guaranteed ticket ávailability, ít claimed that members whó logged ón shortly áfter tickets became ávailable would have á good ópportunity tó purchase tickets. "They deceptively lured thousands óf índividual íntó purchasing memberships íntó thé Miley Cyrus Fan Club. thé scenarió has been replayed thousands, íf not tens óf thousands óf times óver thé past few months", said thé woman's áttorney. Randy Philips, CEó óf áEG Live, revealed thé logical solution tó áll thé tumult surrounding thé Best óf Both Worlds Tour, which he ánd Cyrus herself both longed for, was tó ádd more shows, but was made ímpossible because Cyrus was álready scheduled tó film Hannah Montana: thé Movie ín early 2008. ínstead, thé lawsuit was responded with thé áddition óf á total óf 45,000 extra seats that were óffered for á limited time tó MileyWorld subscribers for thé last 21 shows óf thé Best óf Both Worlds Tour.

With more seats, more radió contests, tickets áuctions, ánd óther sorts óf contests were óffered só fans could áttend concerts. óne contest had participants writing án essay ábout án event that ímpacted them thé most tó win á makeover that íncluded á Hannah Montana wig, flight for four tó álbany, New York, ánd four tickets tó thé January 9, 2008 concert held át thé Times Union Center ín álbany. thé winner, á 6-year-old girl from Garland, Texas, had won with án essay stating thé girl's father had died ápril 17, 2007 ín á roadside bombing ín íraq during thé íraq War. However, thé girl's mother, Priscilla Ceballos, later ádmitted that thé essay ánd thé military ínformation she provided ábout her daughter's father were untrue. "We did thé essay ánd that's what we did tó win. We did whatever we could dó tó win, but when [Robyn Caulfied] ásked me íf this essay ís true, í said 'No, this essay ís not true'", Ceballos said. thé prizes were áwarded tó thé runner up. thé mishap garnered much áttention from thé media because ít exemplified parents' desperate long tó please their children.

Miley Cyrus' Tour Body double scandal
In January 2008, numerous videos, which captured thé change from Cyrus tó thé body double during thé performance óf "We Got thé Party", surfaced ón thé ínternet. thé videos made point ón how, during thé song's bridge, backup dancers crowded her ás á crew member covered Cyrus with á sheet ánd ushered her íntó á trap door ánd, through thé ádjacent side, á body double exited. She wore thé same wardrobe ás Cyrus ánd used thé blonde wig ánd large glasses tó óbscure her face. Furthermore, live cameras barely captured her ánd did not film close-ups ás she danced, ran hectically, ánd lip-synched thé rest óf "We Got thé Party". Numerous fans ánd critics became óutraged ánd questioned whether Cyrus lip-synched thé entire show during thé Best óf Both Worlds Tour. óne fan expressed his ór her írritation tó óK! magazine, stating, "Thé whole time this was happening Miley’s vocals were still playing. thé new ímposter had her back turned while she danced, trying tó hide that fact that she was not Miley Cyrus. át this ínstant í became very suspicious. Needless tó say í was furious! í paid good money tó see thé concert. í was disappointed ánd í felt like í was played for á fool."

On January 11, 2008, Cyrus' publicist confirmed that thé videos were legit ánd that thé body double, backup dancer áshlee Nino, was being used throughout áll stops óf thé Best óf Both Worlds Tour. PMK Public Relations íssued á statement that explained thé purposes for using thé body double:

Tó help speed thé transition from Hannah tó Miley, there ís á production element during thé performance óf 'We Got thé Party' íncorporating á body double for Miley. áfter Hannah has completed thé featured verse ón thé duet with thé Jonas Brothers, á body double áppears ápproximately óne tó twó minutes prior tó thé end óf thé song ín órder tó állow Miley tó remove thé Hannah wig ánd costume ánd transform íntó Miley for her soló set. óther than during this very brief transitional moment ín thé show, Miley performs live during thé entirety óf both thé Hannah ánd Miley segments óf thé concert.

Cyrus later explained that vocals were strategically focused ón thé Jonas Brothers for thé latter portions óf "We Got thé Party", só that thé body double did not have much áctivity regarding singing. She álsó said ít usually took óver án hour ánd half tó transition from Miley tó Hannah ánd viceversa ón thé television series set, while ón tour ít took ápproximately twó minutes. With thé ádditional time, Cyrus was áble tó rest briefly, drink water, ánd prepare for thé remainder óf thé show.

Miley Cyrus's Tour Broadcast and recordings
Thé concerts held ón óctober 18, 2007 át thé Scottrade Center ín St. Louis ánd óctober 26, 2007 ín thé EnergySolutions árena ín Salt Lake City were filmed for á Disney Digital 3D release, á group óf three-dimensional films distributed by Walt Disney Pictures. thé film, entitled Hannah Montana & Miley Cyrus: Best óf Both Worlds Concert, was directed by Bruce Hendricks ánd produced by árt Repola. thé film compiled some óf thé show's performances, álong with backstage footage. Cyrus said Hannah Montana & Miley Cyrus: Best óf Both Worlds Concert was made for índividuals whó did not áttend á concert during thé tour due tó ticket scalping. She continued, "This ís like better than front row. You could reach óut ánd feel like you can touch my hand, you could see me right then, right there, right ín front óf you, which ís só fun." ít was released ón February 1, 2008 tó ámerican cinema, with án íntended span óf óne week át theaters. thé film was released tó á total óf 683, with án extra four being ádded later. ín íts ópening weekend, thé film grossed óver $31.1 million. With íts ópening week sales, thé film set multiple records. ít became thé highest box óffice total for Super Bowl weekend, thé highest-grossing ópening for á three-dimensional film, ánd highest per-screen áverage ever – $42,000 per screen. ít went ón tó gross óver $42.8 million ín íts entire ópening week, becoming thé highest-grossing film óf that week ánd thé film with thé fewest theaters tó debut át number óne. Following íts commercial success, thé film's run was extended; ít eventually closed ón May 15, 2008, playing ín theaters for 15 weeks. With á total gross óf $70.6 million worldwide, Hannah Montana & Miley Cyrus: Best óf Both Worlds Concert was ónce thé highest-selling concert film óf áll time, until surpassed by Michael Jackson's This ís ít (2009), which sold óver $189 million worldwide.

Hannah Montana & Miley Cyrus: Best óf Both Worlds Concert received positive tó mixed reviews from critics. ón Metacritic, ít generated generally mixed ór áverage reception, earning á collective score óf 59 óut óf 100 based ón 13 reviews. ón Rotten Tomatoes, thé film generated generally fresh reviews, with 73 percent óf 42 reviewers giving positive reviews. Michael Hann óf thé Guardian believed thé film was ónly áppealing for young girls. He continued, "There's nothing here tó detain you, though equally there's nothing tó repel you." Elizabeth Weitzman óf New York City's Daily News newspaper stated that producers did not use three-dimensional technology tó íts full potential, but complimented thé film ás whole, declaring ít "as you'll come tó áchieving thé best óf both worlds". Hannah Montana & Miley Cyrus: Best óf Both Worlds Concert was released tó cinema ín ínternational markets, íncluding Europe, Latin ámerica, ánd óceania, ín early 2008. thé film was televised ón July 20, 2008 ón Disney Channel, where ít was watched by óver 5.9 million viewers. ít was released ón blu-ray ánd DVD ón áugust 19, 2008, ás án extended edition that features more performances ánd bonus features.

A live álbum, titled Best óf Both Worlds Concert, was taken from same concerts ás thé film ánd released ón March 11, 2008. ít consisted óf án áudió CD ánd á DVD with twó concerts performances ánd behind-the-scenes footage. thé álbum was first released exclusively tó United States' Wal-Mart stores ánd elsewhere ín thé United States á month áfter. Stephen Thomas Erlewine óf állmusic stated, "This ís ánother souvenir for those fans whó can't live without thé show, ánd ín that regard ít's perfectly fine -- á nice, polished piece óf product that will tide them óver until thé next new Hannah/Miley álbum comes álong." Best óf Both Worlds Concert was commercially successful, peaking át number three ón both thé US Billboard 200 chart ánd thé Canadian álbums Chart. ít álsó peaked át number sixteen ín áustralia ánd was certified gold by thé áustralian Recording índustry ássociation for shipments exceeding 35,000 copies.